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2-in-1 Review:
B&V Spectacular #75, B&V #220 |
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B&V Spectacular #75
Script: Dan Parent
Pencils: Dan Parent
Inker: Rich Koslowski
Colorist: Barry Grossman
Letterer: Jack Morelli
Editor: Victor Gorelick
Editor-in-Chief: Richard Goldwater
Published by: Archie Comics
Betty & Veronica #220
Script: Barbara Slate
Pencils: Jeff Shultz
Inker: Al Milgrom
Colorist: Barry Grossman
Letterer: Jack Morelli
Editor: Victor Gorelick
Editor-in-Chief: Richard Goldwater
Published by: Archie Comics |
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Reviewed by:
Bruce Logan |
A comic in a magazine format and a magazine that looks like it
is a comic. Those are what were my first thoughts about these two titles
starring the big two gals of the Archie-verse, namely Betty Cooper and Veronica
Lodge. As for which is which is which, that is an easy tell. While both titles
carry the ‘Betty & Veronica’ header, the second one sports only their initials,
along with the added ‘spectacular’, and that is one that is the magazine that
looks like a comic.
While both of these titles are clearly aimed towards the tweeny and early-to-mid
teenage-y girls, Betty & Veronica (BV from now) treads the line between ‘for one
side’ and ‘for all readers’ more than B&V Spectacular (BVS). This is not to say
that the stories in both of them are not enjoyable for anyone and everyone who
might read ‘em, those are in the same vein as the rest of the Archie tales (or
Jughead tales), but that along with the usual stories, BVS has a few additions
that set it apart from its twin. Even the stories, which are about longer (even
if they are half in number than BV), are slightly more ‘dedicated’ towards their
intended target(s).
Going the Spectacular route first, the first half’s story deals with the usual
teen things i.e. fashion, music i.e. boy/girl bands, celebrities, aspirations
for fame, and (especially in Jughead’s case) a whole lotta free food…and who
doesn’t love free food, hells, free-anything. Even BV has two similar
‘fashion/clothing-related’ stories. However, instead of the scale of the one
here those two are generally limited to just the two girls, whether it be
Veronica being adamant to remain in fashion at all times (sometimes at the
expense of comfort and enjoyment), or just her wanting to get her Christmas gift
(from Betty) sooner…how about months before the actual day.
Continuing with music, BV also carries a story about it, and even more so than
BVS it is this one that ‘borrows’ from real life. Its something called Puff
Diddy….P Diddy…uh, P Daddy, well, whatever name it is this week, ‘Purple Party’.
Happy (for her) and (at least) on Cloud-Four, Veronica takes a quick tumble to
the hard ground on realizing that just about everyone around her got an invite
to what was/is supposed to be a highly exclusive event. An event for which she
has spent countless hours and lots of Daddy’s money…all to be seen in the right
place, at the right time and in the right clothing. There is a moral here and I
am sure that even though it is not blared out at the end, it would be clear
enough to the reader…especially if he/she is someone who stresses a bit too much
on the materialistic/physical appearances. (Like many a teen is wont to do, even
me from a decade or so ago)
As for the last remaining stories in both titles, both of them share the common
thread of being about the two friends (B&V) spending time together and enjoying
themselves. Apart from this, Ron’s Dad (Hiram Lodge) appearing is also something
that the two have in common. However, while in BV things end on a happy note for
him, the mail and the credit card bill in it make for the usual blow-up in BVS.
Also differing is the ‘where’ of the stories. For BV starts and carries on in
the sweltering heat of summer (at the Lodge Mansion), it ends in a cool
ice-skating rink. In BVS, the start and finish both are at the Mansion but the
main stories takes up in the Lodge’s mountain cabin, complete with snow capped
peaks in the background.
Conclusion: New bit of info I came out with after
reading these two? There is a (two-girl) band/group called ‘The Veronicas’. Who
woulda guessed?
RATING:
B&V Spectacular #75: 7/10
B&V #220: 7.5/10
(8 for those in the ‘target demographic’)
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