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Astonishing X-Men #17 |
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Writer: Joss Whedon
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Asst. Editor: Sean Ryan
Asso. Editor: Nick Lowe
Editor: Mike Marts
Published by: Marvel Comics |
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Reviewed by:
Bruce Logan |
Astonishing X-Men. The only mainline Marvel title that survived
my flushing of my entire 616 MU pull-list, and one that continues to this day.
While at first it had been because I just wanted to complete the ongoing arc
(was at #14 then), now it is because of both Whedon’s great but for TPB writing
and Cassaday’s pencils. That it was a bi-monthly also helped from a monetary
point of view. One of those three changes with this issue as with #17 onwards
AXM goes the monthly route.
For the story, even though a lot of things happen here, overall there isn’t much
of a progress (as I stated, Whedon writes ‘for’ the TPB format, hence individual
issues don’t have much ‘time’ progress). The story can be divided into two
parts, one involving Kitty Pryde and the X-Men, and the other, well, even the
other seems to involve Kitty, though not as directly as the first. With her
lover (Colossus) revealed last issue as the destroyer of the Breakworld, and
with Ord after him, Kitty gets another leg in that particular plotline with yet
another revelation, that of the ‘mole’ of the SWORD people…someone very close to
her. As for Ord, he and DANGER (the sentient former-Danger Room) arrive at the
X-Mansion.
Moving onto the others, unless he is going the route of teenage boys and looking
to getting plastered on booze…well, beer, looks like James has stepped back and
the Wolverine is coming to the fore again. Time for niggling. Marvel seems to wh*ring
themselves out with real company ads in their comics, yet when it comes to one
of their biggest and largest selling characters, they couldn’t get one for a
real beer company (and by ‘real’, I mean Canadian beer). Come on
Marvel, I am sure you could have got Molson to make the one page showing.
Anyways, Emma (the real one), Piotr and the other X-Men and X-students also make
appearances, all of them varying from a single panel (for Emma) to a few pages
(for Piotr). Even Scoot…ahem, Scott shows up, and for anyone who’s seen the
solicits/cover of the upcoming issue, his being up and sporting ‘new’ look
wouldn’t be a surprise.
Finally, the art. Although up to the level of previous issues, it is still as
simple yet engrossing. Now, if only someone could explain to me what are those
humongous eyebrows doing on Xavier’s face. I know it is merely a ‘mental’
visualizations and it might even have elements of Cassandra Nova in it, but
please, these big ones! It makes him look like he has just come from the beauty
salon.
Conclusion: Have been with this arc for the better
part of a year and am looking forward to how it ends. Best/funniest line of the
issue, 'I could clearly see the silhouette of her undercurve.' (by who
else, by Li'l James, about the 'other' Emma's attire and lack of a skirt on
her.)
RATING: 8.5/10
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